米尔顿·哈通（Milton Hatoum），巴西当代著名作家、翻译家。1952年出生于巴西亚马孙州首府玛瑙斯，父亲为黎巴嫩移民。哈通十五岁到巴西利亚求学，后又赴圣保罗和法国巴黎深造。1989年出版长篇小说处女作《一个东方人的故事》并在1990年凭借此书荣获巴西雅布提文学奖。其代表作还有《黄金城的孤儿》《两兄弟》《北方的灰烬》等。 马琳，中国社会科学院外国文学研究所编辑。巴西坎皮纳斯州立大学文学理论与文学史专业博士。巴西文学研究者、译者。主要研究方向为巴西当代族裔文学、巴西女性文学。现有已出版译著：米亚·科托《母狮的忏悔》、克里斯托旺·泰扎《永远的菲利普》、米尔顿·哈通《两兄弟》等。

Emilie, the matriarch, is on her deathbed. Returning to her childhood home to say goodbye, her granddaughter becomes enveloped in memories, as family and friends gather round to tell their own tales, one by one. We hear of how Uncle Hanna first left Lebanon for Brazil early in the twentieth century; of Soraya Angela, the illegitimate deaf-mute child whose short life was blighte...(展开全部)

A Certain Smile, Francoise Sagan's second book, also was a bestseller. It told about a student's love affair with a middle-aged man. Like Cécile, she is slightly bored of life, but she suddenly realizes that "some day I would die, that my hand would no longer touch the chromium rim, nor would the sun shine in my eyes." Another variation of the formula was presented in Aimez-vou...(展开全部)

A Certain Smile, Francoise Sagan's second book, also was a bestseller. It told about a student's love affair with a middle-aged man. Like Cécile, she is slightly bored of life, but she suddenly realizes that "some day I would die, that my hand would no longer touch the chromium rim, nor would the sun shine in my eyes." Another variation of the formula was presented in Aimez-vou...(展开全部)

在线阅读本书 Ah, think of the serene gardens, tatami mats, Zen-inspired de cor, sliding doors, and shoji screens of the typical Japanese home. Think again. Tokyo: A Certain Style , the mini-sized decor book with a difference, shows how, for those living in one of the world s most expensive and densely packed metropolises, closet-sized apartments stacked to the ceiling with gadget...(展开全部)

When the French edition of "Confronting Images" appeared in 1990, it won immediate acclaim because of its far-reaching arguments about the structure of images and the histories ascribed to them by scholars and critics working in the tradition of Vasari and Panofsky. According to Didi-Huberman, visual representation has an 'underside' in which seemingly intelligible forms lose t...(展开全部)

When the French edition of "Confronting Images" appeared in 1990, it won immediate acclaim because of its far-reaching arguments about the structure of images and the histories ascribed to them by scholars and critics working in the tradition of Vasari and Panofsky. According to Didi-Huberman, visual representation has an 'underside' in which seemingly intelligible forms lose t...(展开全部)

朱利安·杰克逊（Julian Jackson）是伦敦大学玛丽女王学院的历史学教授，英国科学院和皇家历史学会的院士。他是研究戴高乐和20世纪法国历史的主要权威之一，曾经2004年凭借《法国的衰落》获得了世界顶尖的历史图书奖项——沃夫森历史奖。 为了全面细致地展示戴高乐和他所处的那段历史，杰克逊首次使用了2004年公开的戴高乐未发表资料及其最近研究成果，并深入研究了戴高乐的私人生活，将戴高乐的人格魅力展现得淋漓尽致。本书荣获2018年度美国图书馆巴黎图书奖，更被《纽约书评》评为戴高乐传记中的“丰碑”。

朱利安·杰克逊（Julian Jackson）是伦敦大学玛丽女王学院的历史学教授，英国科学院和皇家历史学会的院士。他是研究戴高乐和20世纪法国历史的主要权威之一，曾经2004年凭借《法国的衰落》获得了世界顶尖的历史图书奖项——沃夫森历史奖。 为了全面细致地展示戴高乐和他所处的那段历史，杰克逊首次使用了2004年公开的戴高乐未发表资料及其最近研究成果，并深入研究了戴高乐的私人生活，将戴高乐的人格魅力展现得淋漓尽致。本书荣获2018年度美国图书馆巴黎图书奖，更被《纽约书评》评为戴高乐传记中的“丰碑”。

Like Michael Cunningham's homage to Virginia Woolf in The Hours and Jean Rhys's to Charlotte Bronte in The Wide Sargasso Sea, Philippe Besson's extravagantly praised first novel pays tribute to Marcel Proust. It also dares to introduce an asthmatic middle-aged Proust into its masterfully manipulated plot and invents a series of deeply felt letters written by him to the novel's ...(展开全部)